I just watched a bunch of trailers online and saw one for a Matthew Broderick and Alec Baldwin movie called The Last Shot that’s apparently based on a “true story.” Broderick plays a screenwriter who thinks he gets a lucky break when he’s hired to direct a script he wrote called Arizona. Unfortunately his producer (Baldwin) is really an undercover FBI agent, putting together a mob sting. Hi-jinks ensue as budget cuts force the Western-themed script to make do with shooting in New England.
When a movie is based on a “true story,” its makers make little effort to advertise what the truth is. It’s also rare that I am intrigued enough to search out more information about the “true story” in question, but the premise of The Last Shot sent my Spidey-sense a-tingling. A quick internet search confirmed I had heard a very similar “true story” broadcast on PRI’s This American Life (”MacGyver”, 08/15/2003) last year. Writer Elizabeth Gilbert told Ira Glass what she learned while writing about the misguided sting for GQ:
In the late 80s, a man calling himself David Rudder goes to Boston with a script and hires George Moffly to produce it. The Knockdown is a romantic comedy about an historic building preservation, and it stinks. Rudder turns out to be an FBI agent who wants to use the production as a sting to catch the Teamsters taking bribes. Production is halted when the sting fails, but a few months later a thug with a gambling debt offers to inform on mobsters associated with the Teamsters and Rudder rehires Moffly.
From the trailer, The Last Shot seems to ignore nuance in favor of cheap laughs and disposable, stereotypical characters. Too bad, because hearing Gilbert and Moffly talk about the fiasco, it’s easy to picture the details and contradictions of the personalities involved, and difficult to picture The Last Shot’s stars doing justice to any of them. The tragi-comic domino effect of the agent’s deception and subsequent obsession with becoming a real Hollywood mogul who happens to fight mob corruption on the side is a great sounding story. The Last Shot could still do it justice, but more likely truth will remain stranger, and more interesting, than fiction.
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